Spacey is a surprisingly adaptable actor. He can deliver the comic lines with superb timing, the romantic lines with passion and sexuality, the dramatic lines with force, his physique seems to look different in every film…
He’s a talented guy. And the Usual Suspects is a cracker. Won the audience award at Cannes, if I remember correctly.
Good Fellas
The Verdict
Unforgiven
Apocalypse Now
John Carpenter’s The Thing
Natural Born Killers
Blue Velvet
The People vs. Larry Flynt
The Exorcist
Trix’s All Nude Webcam Fiesta
The Beach, was more or less a hollywood mainstream flick with Leonardo Decaprio in the lead role. Leo and a French couple on vacation in the south Atlantic find a map leading to a secluded, beautiful beach – to which the three of them set out to explore. The beach is incredible; there is a whole private community there, which has turned its back on the world; they grow their own crops, pot, and live in “paradise.” That is, until jelousy, envy, power, and a few other things go wrong which leads to the ostracizing of Leo, and a re-evaluation of what “paradise” really is. It’s also an interesting look at human nature.
I was in my mid-teens when I saw this film, but really enjoyed it – and still think it’s a worthwhile movie to see. Not a classic, but a good movie nevertheless.
Tom Cruise’s best performance is in Top Gun, surely? Homoerotica city!
I think the Marriage of Maria Braun is a good movie, but not the best. I think Fassbinder had very strong ideas and conveyes them excellently, but basic things like poor editing detracted from an otherwise excellent movie.
I agree with pretty much everything you said. The twist in Fight Club did not strike me as lame, although this does not mean that it wasn’t somewhat predictable. For me it was no better or worse than the twist in The Sixth Sense, except the rest of the movie was much better.
This was one I only saw recently, and I have to say I really enjoyed it. Better than Apocalyse Now or Platoon, in my books. Robert Goran is fantastic. The dialogue was very sharp for the most.
Yeah I get a sense of this; which is why it isn’t higher on the list.
Well I was not exposed to its ‘rating’ beforehand, so didn’t know what to expect. I really appreciated the sense of humor.
Well I can see how it might be a satire, though I must say it inspired a certain foreboding even when I was tempted to smile or laugh. There was just something disturbing about it, something that was almost absurd, and which kept me in tension. The whole film was on an edge, hinting at something. When I think about the film, I keep remembering that expression on Tom Cruise’s face, with that bloody piano note ringing out; he had this suspicious look, like he was unsure whether to laugh or not. If you want to call the film a satire, then I think you need to keep in mind the ambiguity of that look; that near craziness which crept up in his eyes as he was progressively taken out of his comfort zone, his sense of order and norm. It seemed on the brink of releasing something almost animalistic in him. I loved how the sense of the movie as a whole was caught up in that ambivalence and that hesitancy.
Such a classic movie… the product placment could be considered as in the top 5 of all time.
This is a very funny line.
Should be higher… just my opinion.
It’s strange. I felt that, but I also felt that he should be dropped out the list, as his films seem private pleasure which I peek into, and in that way a bit adolescent, and maybe a film should be more. Also he doesn’t make enough of them, or move on to new and different levels. That being said, Dune was very underrated and distinct.
I agree with pretty much everything you said. The twist in Fight Club did not strike me as lame, although this does not mean that it wasn’t somewhat predictable. For me it was no better or worse than the twist in The Sixth Sense, except the rest of the movie was much better.
You compare one lame twist with an even lamer one. We might as well throw the Crying Game in there
Better than Apocalyse Now or Platoon
Agreed. Maybe try The Deer Hunter. I’ll confess that I’m not a fan of Vietnam War movies. Rambo might have been the best.
I really appreciated the sense of humor.
Don’t you think his other movies, Rushmore and even his last The Life Aquatic with Steve Zissou one, was in my opinion better/funnier.
I think it’s an excellent movie and underrated by many. It overrated as erotica, there’s nothing in the movie that hasn’t been seen elsewhere but underrated as a comedy.
The scene when Cruise is awkwardly negotiating with the (unrealistically beautiful) prostitute is hilarious.
Cruise: So, should we talk about money…?
Hooker: That depends on what you wanna do… What do you wanna do?
Cruise: I don’t know… What do you recommend?
Note also the absurd way that every female (including Milic’s daughter) in the film is gorgeous. The proliferation of Christmas lights, the overly rich colouring (especially in the marital bedroom where the couple get stoned and Kidman delivers that chilling monologue where she slices through Cruise’s ego like an iceberg through a ship) and the fact that most of the story takes place at nighttime all produce a fantastical quality, brought down to earth by the final line where Kidman says that Cruise and herself need, above all else, to go home and fuck. If Kubrick hadn’t intended for the movie to leave a smile on our faces then why choose such an inappropriately coarse final gag?
Well, for Muholland Drive I felt like I was rather having HIM show ME something… when it ended I literally sat there for an hour and tried to figure it out… so at least for that one I found it more of an interactive experience… rather than a passive ‘look at the nice shots’ type of thing. I can’t really remember Lost Highway that much… but Dune was really good. You’re right though… he doesn’t make enough films.