This is my Symphony No. 22. (I use everything from Romantic theory, 13th harmonies, classical functional harmony, Jazz and Coltrane matrices, and Abuietta's 15th chord, plus a lot of my own original music theory, working off of Reimannian analysis. Obviously, you don't need to know any of that theory, I only want to emphasize that I take a truly ecumenical approach to music and music theory, going out of my way to study, learn from, and incorporate- everything.)
Starting at about 8 minutes 40 seconds, I've got this truly heroic theme that forms the basis of the second movement: (I will also link an except, which is just the main lick it's based on:
https://audiomack.com/parodites/song/op-51-motif )
Then the actual Symphony:
https://audiomack.com/parodites/song/op ... -22-rev-92
Got my Symphony no. 21:
https://audiomack.com/parodites/song/op ... tasy-no-21
Oh boy: the basis of this, my Symphony no. 23, is a new chord-structure I developed, which I call the 15th chord. (It's an eight-sonority complex.)
https://audiomack.com/parodites/song/op ... tasy-no-23