by iambiguous » Sun May 21, 2023 6:37 pm
Elena Ferrante from My Brilliant Friend
Children don’t know the meaning of yesterday, of the day before yesterday, or even of tomorrow, everything is this, now: the street is this, the doorway is this, the stairs are this, this is Mamma, this is Papa, this is day, this is night.
This is philosophy.
They were more severely infected than the men, because while men were always getting furious, they calmed down in the end; women, who appeared to be silent, acquiescent, when they were angry flew into a rage that had no end.
And, of course, absolutely no exceptions.
Nowhere is it written that you can’t do it.
Still, you can't do it. Then what?
I feel no nostalgia for our childhood: it was full of violence. Every sort of thing happened, at home and outside, every day, but I don't recall having ever thought that the life we had there was particularly bad. Life was like that, that's all, we grew up with the duty to make it difficult for others before they made it difficult for us.
Your childhood might have been different. Then what?
The beauty of mind that Cerullo had from childhood didn’t find an outlet, Greco, and it has all ended up in her face, in her breasts, in her thighs, in her ass, places where it soon fades and it will be as if she had never had it.
You do grasp how specious this is, don't you? It can take years...decades...to fade.
Nino has something that's eating him inside, like Lila, and it's a gift and a suffering; they aren't content, they never give in, they fear what is happening around them.
Either I comprehend this more or less than you do. No one ever grasps it the same.