Chapter 21. Reign of Terror

Elevate form over function to get at less easily articulable truths.

Chapter 21. Reign of Terror

Postby derleydoo » Sat Aug 08, 2020 9:20 pm

Marx has been in the news recently. What follows is a brief extract from The Ragged Trousered Philanthropists, by Robert Tressell. It is taken from the chapter subtitled, 'The Great Money Trick'. Published in April 1914, the book suggests that the 'working class' are somehow exploited. One of the workers - a gobby individual - has suggested that money is the cause of poverty. His oppressed workmates consider him to be some kind of troublemaker.

Reign of Terror - The Great Money Trick

'Come on 'ere,' cried Philpot, putting his hand on Owen's shoulder. 'Prove that money is the cause of poverty.'

'It's one thing to say it and another to prove it,' sneered Crass, who was anxious for an opportunity to produce the long-deferred Obscurer cutting.

'Money IS the real cause of poverty,' said Owen.

'Prove it,' repeated Crass.

'Money is the cause of poverty because it is the device by which those who are too lazy to work are enabled to rob the workers of the fruits of their labours.'

'Prove it,' said Crass.

Owen slowly folded up the piece of newspaper he had been reading and put it into his pocket.

'All right,' he replied. 'I'll show you how the Great Money Trick is worked.'

Owen opened his dinner basket and took from it two slices of bread but as these were not sufficient, he requested that anyone who had some bread left would give it to him. They gave him several pieces, which he placed in a heap on a clean piece of paper, and, having borrowed the pocket knives they used to cut and eat their dinners with from Easton, Harlow and Philpot, he addressed them as follows:

'These pieces of bread represent the raw materials which exist naturally in and on the earth for the use of mankind; they were not made by any human being, but were created by the Great Spirit for the benefit and sustenance of all, the same as were the air and the light of the sun.'

'You're about as fair-speakin' a man as I've met for some time,' said Harlow, winking at the others.

'Yes, mate,' said Philpot. 'Anyone would agree to that much! It's as clear as mud.'

'Now,' continued Owen, 'I am a capitalist; or, rather, I represent the landlord and capitalist class. That is to say, all these raw materials belong to me. It does not matter for our present argument how I obtained possession of them, or whether I have any real right to them; the only thing that matters now is the admitted fact that all the raw materials which are necessary for the production of the necessaries of life are now the property of the Landlord and Capitalist class. I am that class: all these raw materials belong to me.'

'Good enough!' agreed Philpot.

'Now you three represent the Working class: you have nothing--and for my part, although I have all these raw materials, they are of no use to me--what I need is--the things that can be made out of these raw materials by Work: but as I am too lazy to work myself, I have invented the Money Trick to make you work FOR me. But first I must explain that I possess something else beside the raw materials. These three knives represent--all the machinery of production; the factories, tools, railways, and so forth, without which the necessaries of life cannot be produced in abundance. And these three coins'--taking three halfpennies from his pocket--'represent my Money Capital.'

'But before we go any further,' said Owen, interrupting himself, 'it is most important that you remember that I am not supposed to be merely "a" capitalist. I represent the whole Capitalist Class. You are not supposed to be just three workers--you represent the whole Working Class.'

'All right, all right,' said Crass, impatiently, 'we all understand that. Git on with it.'

Owen proceeded to cut up one of the slices of bread into a number of little square blocks.

'These represent the things which are produced by labour, aided by machinery, from the raw materials. We will suppose that three of these blocks represent--a week's work. We will suppose that a week's work is worth--one pound: and we will suppose that each of these ha'pennies is a sovereign. We'd be able to do the trick better if we had real sovereigns, but I forgot to bring any with me.'

'I'd lend you some,' said Philpot, regretfully, 'but I left me purse on our grand pianner.'

As by a strange coincidence nobody happened to have any gold with them, it was decided to make shift with the halfpence.

'Now this is the way the trick works--'

'Before you goes on with it,' interrupted Philpot, apprehensively, 'don't you think we'd better 'ave someone to keep watch at the gate in case a Slop comes along? We don't want to get runned in, you know.'

'I don't think there's any need for that,' replied Owen, 'there's only one slop who'd interfere with us for playing this game, and that's Police Constable Socialism.'

'Never mind about Socialism,' said Crass, irritably. 'Get along with the bloody trick.'

Owen now addressed himself to the working classes as represented by Philpot, Harlow and Easton.

'You say that you are all in need of employment, and as I am the kind-hearted capitalist class I am going to invest all my money in various industries, so as to give you Plenty of Work. I shall pay each of you one pound per week, and a week's work is--you must each produce three of these square blocks. For doing this work you will each receive your wages; the money will be your own, to do as you like with, and the things you produce will of course be mine, to do as I like with. You will each take one of these machines and as soon as you have done a week's work, you shall have your money.'

The Working Classes accordingly set to work, and the Capitalist class sat down and watched them. As soon as they had finished, they passed the nine little blocks to Owen, who placed them on a piece of paper by his side and paid the workers their wages.

'These blocks represent the necessaries of life. You can't live without some of these things, but as they belong to me, you will have to buy them from me: my price for these blocks is--one pound each.'

As the working classes were in need of the necessaries of life and as they could not eat, drink or wear the useless money, they were compelled to agree to the kind Capitalist's terms. They each bought back and at once consumed one-third of the produce of their labour. The capitalist class also devoured two of the square blocks, and so the net result of the week's work was that the kind capitalist had consumed two pounds worth of the things produced by the labour of the others, and reckoning the squares at their market value of one pound each, he had more than doubled his capital, for he still possessed the three pounds in money and in addition four pounds worth of goods. As for the working classes, Philpot, Harlow and Easton, having each consumed the pound's worth of necessaries they had bought with their wages, they were again in precisely the same condition as when they started work--they had nothing.

This process was repeated several times: for each week's work the producers were paid their wages. They kept on working and spending all their earnings. The kind-hearted capitalist consumed twice as much as any one of them and his pile of wealth continually increased. In a little while--reckoning the little squares at their market value of one pound each--he was worth about one hundred pounds, and the working classes were still in the same condition as when they began, and were still tearing into their work as if their lives depended upon it.

After a while the rest of the crowd began to laugh, and their merriment increased when the kind-hearted capitalist, just after having sold a pound's worth of necessaries to each of his workers, suddenly took their tools--the Machinery of Production--the knives away from them, and informed them that as owing to Over Production all his store-houses were glutted with the necessaries of life, he had decided to close down the works.

'Well, and wot the bloody 'ell are we to do now?' demanded Philpot.

'That's not my business,' replied the kind-hearted capitalist. 'I've paid you your wages, and provided you with Plenty of Work for a long time past. I have no more work for you to do at present. Come round again in a few months' time and I'll see what I can do for you.'

'But what about the necessaries of life?' demanded Harlow. 'We must have something to eat.'

'Of course you must,' replied the capitalist, affably; 'and I shall be very pleased to sell you some.'

'But we ain't got no bloody money!'

'Well, you can't expect me to give you my goods for nothing! You didn't work for me for nothing, you know. I paid you for your work and you should have saved something: you should have been thrifty like me. Look how I have got on by being thrifty!'

The unemployed looked blankly at each other, but the rest of the crowd only laughed; and then the three unemployed began to abuse the kind-hearted Capitalist, demanding that he should give them some of the necessaries of life that he had piled up in his warehouses, or to be allowed to work and produce some more for their own needs; and even threatened to take some of the things by force if he did not comply with their demands. But the kind-hearted Capitalist told them not to be insolent, and spoke to them about honesty, and said if they were not careful he would have their faces battered in for them by the police, or if necessary he would call out the military and have them shot down like dogs, the same as he had done before at Featherstone and Belfast.

'Of course,' continued the kind-hearted capitalist, 'if it were not for foreign competition I should be able to sell these things that you have made, and then I should be able to give you Plenty of Work again: but until I have sold them to somebody or other, or until I have used them myself, you will have to remain idle.'

'Well, this takes the bloody biskit, don't it?' said Harlow.

'The only thing as I can see for it,' said Philpot mournfully, 'is to 'ave a unemployed procession.'

'That's the idear,' said Harlow, and the three began to march about the room in Indian file, singing:

'We've got no work to do-oo-oo'
We've got no work to do-oo-oo!
Just because we've been workin' a dam sight too hard,
Now we've got no work to do.'
As they marched round, the crowd jeered at them and made offensive remarks. Crass said that anyone could see that they were a lot of lazy, drunken loafers who had never done a fair day's work in their lives and never intended to.

'We shan't never get nothing like this, you know,' said Philpot. 'Let's try the religious dodge.'

'All right,' agreed Harlow. 'What shall we give 'em?'

'I know!' cried Philpot after a moment's deliberation. '"Let my lower lights be burning." That always makes 'em part up.'

The three unemployed accordingly resumed their march round the room, singing mournfully and imitating the usual whine of street-singers:

'Trim your fee-bil lamp me brither-in,
Some poor sail-er tempest torst,
Strugglin' 'ard to save the 'arb-er,
Hin the dark-niss may be lorst,
So let try lower lights be burning,
Send 'er gleam acrost the wave,
Some poor shipwrecked, struggling seaman,
You may rescue, you may save.'
'Kind frens,' said Philpot, removing his cap and addressing the crowd, 'we're hall honest British workin' men, but we've been hout of work for the last twenty years on account of foreign competition and over-production. We don't come hout 'ere because we're too lazy to work; it's because we can't get a job. If it wasn't for foreign competition, the kind'earted Hinglish capitalists would be able to sell their goods and give us Plenty of Work, and if they could, I assure you that we should hall be perfectly willing and contented to go on workin' our bloody guts out for the benefit of our masters for the rest of our lives. We're quite willin' to work: that's hall we arst for--Plenty of Work--but as we can't get it we're forced to come out 'ere and arst you to spare a few coppers towards a crust of bread and a night's lodgin'.'

As Philpot held out his cap for subscriptions, some of them attempted to expectorate into it, but the more charitable put in pieces of cinder or dirt from the floor, and the kind-hearted capitalist was so affected by the sight of their misery that he gave them one of the sovereigns he had in us pocket: but as this was of no use to them they immediately returned it to him in exchange for one of the small squares of the necessaries of life, which they divided and greedily devoured. And when they had finished eating they gathered round the philanthropist and sang, 'For he's a jolly good fellow,' and afterwards Harlow suggested that they should ask him if he would allow them to elect him to Parliament.
User avatar
Posts: 683
Joined: Wed Dec 07, 2005 3:03 am

Re: Chapter 21. Reign of Terror

Postby Peter Kropotkin » Sat Aug 08, 2020 11:37 pm

=D> =D> =D> =D> =D> =D> =D> =D> =D> =D> =D> =D> =D> =D>

"Those who sacrifice liberty for security
wind up with neither."
"Ben Franklin"
Peter Kropotkin
ILP Legend
Posts: 8314
Joined: Thu Apr 07, 2005 1:47 am
Location: blue state

Re: Chapter 21. Reign of Terror

Postby derleydoo » Sun Aug 09, 2020 1:06 am

Peter Kropotkin wrote:=D> =D> =D> =D> =D> =D> =D> =D> =D> =D> =D> =D> =D> =D>


It is very difficult to defend such a system. However, we have managed to do so for the past 106 years!

This from the Preface:

In writing this book my intention was to present, in the form of an interesting story, a faithful picture of working-class life--more especially of those engaged in the Building trades--in a small town in the south of England.

I wished to describe the relations existing between the workmen and their employers, the attitude and feelings of these two classes towards each other; their circumstances when at work and when out of employment; their pleasures, their intellectual outlook, their religious and political opinions and ideals.

The action of the story covers a period of only a little over twelve months, but in order that the picture might be complete it was necessary to describe how the workers are circumstanced at all periods of their lives, from the cradle to the grave. Therefore the characters include women and children, a young boy--the apprentice--some improvers, journeymen in the prime of life, and worn-out old men.

I designed to show the conditions relating from poverty and unemployment: to expose the futility of the measures taken to deal with them and to indicate what I believe to be the only real remedy, namely--Socialism. I intended to explain what Socialists understand by the word 'poverty': to define the Socialist theory of the causes of poverty, and to explain how Socialists propose to abolish poverty.

It may be objected that, considering the number of books dealing with these subjects already existing, such a work as this was uncalled for. The answer is that not only are the majority of people opposed to Socialism, but a very brief conversation with an average anti-socialist is sufficient to show that he does not know what Socialism means. The same is true of all the anti-socialist writers and the 'great statesmen' who make anti-socialist speeches: unless we believe that they are deliberate liars and imposters, who to serve their own interests labour to mislead other people, we must conclude that they do not understand Socialism. There is no other possible explanation of the extraordinary things they write and say. The thing they cry out against is not Socialism but a phantom of their own imagining.

Another answer is that 'The Philanthropists' is not a treatise or essay, but a novel. My main object was to write a readable story full of human interest and based on the happenings of everyday life, the subject of Socialism being treated incidentally.

This was the task I set myself. To what extent I have succeeded is for others to say; but whatever their verdict, the work possesses at least one merit--that of being true. I have invented nothing. There are no scenes or incidents in the story that I have not either witnessed myself or had conclusive evidence of. As far as I dared I let the characters express themselves in their own sort of language and consequently some passages may be considered objectionable. At the same time I believe that--because it is true--the book is not without its humorous side.

The scenes and characters are typical of every town in the South of England and they will be readily recognized by those concerned. If the book is published I think it will appeal to a very large number of readers. Because it is true it will probably be denounced as a libel on the working classes and their employers, and upon the religious-professing section of the community. But I believe it will be acknowledged as true by most of those who are compelled to spend their lives amid the surroundings it describes, and it will be evident that no attack is made upon sincere religion.

The book is online, should anyone be interested.
User avatar
Posts: 683
Joined: Wed Dec 07, 2005 3:03 am

Return to Creative Writing

Who is online

Users browsing this forum: No registered users