I am going to start with some loose thoughts, comments, and snippets of dialogue on this subject.
The alchemical Peacock collects the differentiated colors of the rainbow in its tail,- the multiplicity of Maya or illusion which corresponds, in hermetic kabbalah, to the veil of Paroketh, which, by being permeated by the mystic’s will with this rainbow and the path-work of Tiferet or Beauty, allows the Multiple to reemerge, through the struggle of the DAEMON between Being and Nonbeing, as the blinding white light or Zohar of the Phoenix,- the radiance shining through the prism of nature, which is itself the sephirotic tree. The veil of Paroketh is well known by the hermetic tradition, but there is a more obscure veil of Queseth, which involves the emergence of the Peacock: to this I have added a veil born of my own research and invention: the veil of Kho’seth. The etymology and synchromystical or gematriac implications of that term are the subject of another thread, however it needs to be said here only that this is the first veil,- and thus both the most important and the most elemental, which I have tied to the incorporation of the Christian metaphysics of the excessus of spirit and the role of Malkuth in producing its own, inner zohar, separate from the other sephiroth, which merely channel zohar emanated from the Godhead. Khos’eth: " … the Negativity or metaphysical Absence of the Bythos by inhering the pre cosmogonic matrix of KHOSHEK, (the first veil, into which aglaia brings forth true existence from the unstruck heart or an-ahat, that is,- the unlimited, Pandemaic potentiality of the unmaterialized pleroma) … " The first of the three mystical veils (Khosketh, Queseth, Paroketh) requires the IOA or the defiant assertion of individuality in the face of ego-death as a paradoxical arrangement of transcendental autonomy-dependency,- a mirroring of the act of divine infidelity, that is, God’s turning his back on the world, which is understood in Kabbalah as necessary for Malkuth to serve the Creation by generating its own ennoea, separate from the other Sephira whose zoharic radiance is emanated from God. This act also recalls the intentional failure of YLDBTH’s creative effort (undertaken after he turns his back on God and the other Aeons so as to pursue his own glory) in Gnosticism, in order to provide, through his tragedy, a teaching-tool to mankind."
“Again, whether YLDBTH aided Sophia because he was deceived by her and was simply a fool, as in those Valentinian sects who additionally deem Sophia as faultless in the great drama of the Creation as well, (with these sects ascribing the Fall only to Mankind and the Sin of Mankind, with Sophia even utilizing the Demiurge as a tool with which to reshape the debris of the Fall, namely suffering, death, and evil, into an Image of the Pleromatic Fullness, whereby the heavenly pneumatikos or immortal-seed might overcome the spermatikos or the fault of the mortal-seed within the agonism of the diapheron and the greater lineage of the Gnostic-being originated among the Adamas, to cite the Aegyptian Gnosis of JEU, or the duplicity of man’s double-birth through the seed of Lilith-Samael descended in the line of Cain to Enoch and the seed of Eve-Adam descended through Seth to Enos, to cite the Ophite theological anthropology) because he simply wanted to torture mankind and to draw the ennoea away from Heaven, as in the Sethian view, or because he seized an opportunity to challenge both Sophia and the other Aeons in teaching mankind, through the test of mortality, of the nature of transcendence and the Soteria,- in line with the thought of Hermaedion,- depends on what species of Gnosticism is being considered.”-- Liber Endumiaskia.
Of note: Zoroaster introduced the Recurrence; history as an endless struggle of Good and Evil on the wheel of Time. “Good and Evil” meant the true uncreating silent god of Gnosis and the false god of the Demiurge of course. Then Manicheans actually took that and proposed an apocalyptic conquest of evil, which meant all material life due to the Zoroastrian interpretation of the Demiurge, through ascetic purification. Then Sethians took that even further by using Christian resources to pin the source of evil on Man alone, who takes the place of what is to be apocalyptically conquered. Here you start seeing all the apocalpyse literature in Greek and Coptic; the book of Revelations was 1 of 1000. Then the Cathars came and they took Sethian Gnostic theology and metaphysics and became essentially a death-cult whose main purification ritual was a prolonged actual physical suicide, etc. The web is very complex.
The Eleusinian rituals involved the epopteia and eroticon. Epopteia came from the earlier Orphics, and involved the recreation of Orpheus’ journey to the underworld and the katabasis-anabasis of the active will submerged in the unconscious forces of the imagination in order to make them conscious- taking them to the surface as did Orpheus with the female Eurydice. The erotikon however is the Eleusinian innovation, in that they taught initiates to utilize the energy released in these processes for creative-spiritual purposes instead of just for the Orphic catharsis, the purification ritual which was the goal of their rites, a pre-Gnostic redemption of the soul from matter.
The troubadours preserved this mystical element of love in veiled poetry.
Hermeticism then combined what was preserved in this esoteric tradition of mystical love poets with Kabbalah; thus a lot of the earliest symbolisms of the Hermetic tradition involve the most important imagery in the troubadours; the rose of the troubadours, (hence rosi-cruc-ians) etc.
Paganism is based on the Mother, and is outside of the history of the regrounding of man’s spiritual knowledge in the Paternal, so I put it before everything else; disconnected from it not merely previous to linearly.
“AGLA is a notarikon (Hebrew-to-Greek gematria) for the word Malkuth. It is a Greek word (aglaia) that means splendor, lordship. As in lordship over Malkuth the Kingdom or mortal realm in Kabbalah, which to draw on my application of the Gnostic metaphysics of transcendental apotheosis and excessus, is both the sephira separated from God and the only member of the sephiroth that generates its own Zohar. However it gets deeper: Plotinus equates Aglaia with the pure radiance (what Gnostics call ennoea, and Kabbalah calls zohar) of the Primary-Intellect of the Neoplatonist tradition, and by extension the EIDEIA to which man must rise in the discovery of both his own nature and the structure of the cosmos: aglaia is the pure radiances or light, the pure ennoea, and thus TRUTH itself. It is not the truth of any one statement or idea or anything: it is the truth of mind reflecting on mind, of that pleroma or plenitude which the servants of JEU call the Treasury of Lights. Aglaia is even the dying word of Herakles as, in his final breath, reason returns to him and he sees what he has done, and by realizing it, relieves himself the burden of conscience through acceptance of an ultimate truth. What is this ultimate truth that eased the heart of the mad Demigod? It is the truth that the multiplicity cannot contain the splendor or aglaia of the One, the burning infentesimal of the original intelligence. That is the tragedy of which Holderlin, in his essay on Empedocles, based the pathos of the philosopher-- as the One reaching out toward the pothos of matter and multiplicity, to re-emerge in aglaia and repeat the process; one–multiplicity–one–multiplicity. AGLA is also used by the Pythagoreans to mark the Tetractys- the mathematical representation of this ultimate cosmic pattern.” In short: Aglaia is a notarikon Greek permutation of the Hebrew for Malkuth. Aglaia, light, malkuth the kingdom; thus it fits very well with my associating Malkuth with its own source of zohar in the excessus. AGLAIA stands for the excessus of Malkuth and, through it, the Lordship over the Kingdom more like the individual apotheosis of mystical Christianity than the Lurianic rectification of the world in which this internal zohar is returned to God and recycled through the interconnected Sephiroth. AGLA means: the power to contain the Zohar.
Malkuth represents the call of the void itself, the hunger for God. It radiates its own zohar which must be recapitulated and returned to the divine source in an act of rectification: “the longing for god that raises every flower heavenward.” However, that hunger for the zohar can become inverted and twisted into a desire to imprison and hoard the light away from its source: an inherent egoism of matter itself. This excerpt is in Namegiving: “Maklut, in the Sephirotic configuration, channels the radiant excesses generated within the material world back to the divine source from which it is disconnected due to the Shattering of the Vessels, for Malkuth is the sole Sephira whose radiance is not descended out of God directly but is instead generated from within as an excessus, which is otherwise doomed to self consumption without the stabilization of the divine channels and the sustainable flow of energies that they provide when again, the sephirot are organized into their stable partzufim configuration on the tree of life, much like the stabilization of kundalini through the alignment of the kharmic wheels which are called the chankra of the subtle-body.”
As is evident, I have incorporated the Gnostic-Christian metaphysics of the excessus into my fused Lurianic kabbalism.
Now, I will include here the sigil of this concept and the logical sequence derived from it of Aglaia-Splendor-Malkuth-Kho-seth-Inner Zohar interpreted by the metaphysics of Christian excessus–Kingdom–King:
The inner circle should be recognized as the boundary of Kho’seth itself, with the outer crosses representing both the crosses of the Gnosis ideogram and those of astrology.