by d63 » Sun Dec 23, 2018 9:20 pm
Dear Diary Moment/rhizome 12/23/2018:
As I go deeper into Buchanan’s reader guide to the Anti-Oedipus, I’m struck by the difference in approach he took as compared to Holland’s as concerns the model that appears to be at core of the book: the three syntheses of desire/the unconscious and the 5 paralogisms as well as the illegitimate uses of the 3 syntheses that the 5 paralogisms include. And while this might, at a more nominal level, lead to confusion, at a more personal one for me it’s kind of a relief in that (given the clear authority of Buchanan and Holland on the subject (you’re given limited license to read yourself into it. And I truly believe this was exactly the result that D&G were after: the very endgame of their use of a more obscure/oblique/even poetic style of exposition.
And in that spirit, I would like to offer my own highly blue-collarized/clearly superficial version of the model. And I would start with the 3 syntheses (and I am primarily working from its analogical connection with Kant’s 3 syntheses of understanding (apprehension, reproduction, and recognition:
The connective in which the brain (via the senses and desire (collects a series of small objects and pieces them together.
The disjunctive in which the growing complexity of the constructs evolve into conflicts and forms of anti-production.
And, finally, the conjunctive in which these disruptions come to a head and everything settles into an unstable but comparatively livable state –that which Holland described as the emergence of the subject (what we think of as the self (as a kind of aftereffect.
Next I would approach the 3 illegitimate uses of the syntheses which, again, constitute the first 3 of the 5 paralogisms of psychoanalysis:
The illegitimate use of the connective in which it is seen as working towards a fixed end.
The illegitimate use of the disjunctive in which everything is fixed into binaries: man/woman, heterosexual/homosexual, white/not-white, etc., etc..
And, finally, the illegitimate use of the conjunctive in which the subject that emerges from all this sees itself (even deludes itself on the matter (as the initial cause of the synthetic process and makes the mistake of seeing itself as a fixed thing with a fixed identity: white, black, gay, heterosexual, etc., etc..
As far as the 5 paralogisms, all that is left are the last 2:
The displacement of confusing the ban on incest as an actual description of desire: as a ban on some impulse that the subject might have had in the first place but might not have either -that is until the ban was brought to their attention.
And the top-down/backward approach in which psychoanalysis admits that there are elements of the Oedipus at work in society as a whole, but subscribe it to an aftereffect of the subject’s familial experience –Capitalism’s way of wiping its hands clean of our experiences of neurosis, hysteria, and paranoia when, in fact, it is the very source of it.
Anyway: that’s just my take. But it’s the steppingstone I have to work from.
Humble yourself or the world will do it for you -it was either Russell or Whitehead. I can't remember which.
When I was young, I use to think the world was a messed up place so i was pissed off a lot. But now that I'm older, I know it is. So I just don't worry about it. -John Lydon (AKA Johnny Rotten).
Anarchy through Capitalism -on a flyer thrown out during a Kottonmouth Kings concert.
First we read, then we write. -Emerson.
All poets are damned. But they are not blind. They see with the eyes of angels. -William Carlos Williams: in the introduction to Ginsberg's Howl.
You gotta love that moment when the work is done and all that is left to do is drink your beer and sip your jager and enjoy what you've done. It's why I do and love it.
I refuse to be taken seriously.
Once again: take care of your process and others will take care of theirs. No one needs a guru. Just someone to jam with.
:me