One of the things that comes up in James Williams secondary text on Difference and Repetition is Deleuze’s concept of the block. And if I’m reading it right, it has to do with the subject’s (the place where thoughts take place (finite capabilities in the face of the infinite. It comes down to the limited capacity of concepts to include the infinite multiplicities of causality contributing to any given event.
And if you think about it in a genealogical sense, this may well be at the bottom of Deleuze and Guatarri’s distinction between the molar and the molecular. The molar, as Brian Massumi describes it, is a kind of blur effect of the molecular that allows us to actually comprehend what is before us. And the best way to describe it, as Massumi did, is through its negative effects. If you look at how minorities have come to be accepted (especially in the case of TV ads (it has generally been in terms of their being legitimate producer/consumers: basically molarizations defined by white heterosexual males.
Take, for instance, the TV series Will and Grace which made homosexuality more acceptable. Let’s take a look at how it made it work: taking an attractive male that happened to be homosexual and presenting him as someone who was perfectly as capable of producing and consuming as anyone else. In other words, he was made acceptable by presenting him within the perimeters of producer/consumer Capitalism and the tyranny of the functional. He was molarized: blocked from the infinite. And the same goes for minorities you see in TV ads who often come off as yuppies or hipsters who happen to have dark skin.
And none of it, of course, gets to the molecular aspects of reality: the actual complexity of the players involved. But given our finite position in the scheme of things, how could any of us actually contain, in our heads, the infinite?
And this is where the molar steps in and proves useful –even heroic. We as the intellectually curious TRY to capture the infinite only to find our efforts frustrated. Still, we have to try. Now imagine a comedian trying to do the same thing: saying something funny about the other then backtracking with: but on the other hand. Comedy is about the war rally: that which confirms unity among those with common belief systems. Think Bill Maher, John Oliver, and Samantha Bee here.
But then this may well have been why Deleuze made the distinction between humor and satire.