Some Poems That We Might share ....

Guardian Angel
by Rolf Jacobsen

I am the bird that knocks at your window in the morning,
and your companion, whom you can never know,
the blossoms that light up for the blind.

I am the glacier’s crest above the forest, the dazzling one,
and the brass voices from the cathedral tower.
The thought that suddenly comes over you at mid-day
and fills you with a singular happiness.

I am the one you have loved long ago.
I walk alongside you all day and look intently at you
and put my mouth against your heart
but you don’t know it.

I am your third arm, your second
shadow, the white one,
whom you don’t have the heart for
and who cannot ever forget you.

I, myself, might call this “Loving Intuition”.

A poetry corner! I like this thread! =P~

Though I wouldn’t call them my favorites, I like these poems by Schiller (probably because they are light and read like a story).


The Diver

“What knight or what vassal will be so bold
As to plunge in the gulf below?
See! I hurl in its depths a goblet of gold,
Already the waters over it flow.
The man who can bring back the goblet to me,
May keep it henceforward,–his own it shall be.”

Thus speaks the king, and he hurls from the height
Of the cliffs that, rugged and steep,
Hang over the boundless sea, with strong might,
The goblet afar, in the bellowing deep.
“And who’ll be so daring,–I ask it once more,–
As to plunge in these billows that wildly roar?”

And the vassals and knights of high degree
Hear his words, but silent remain.
They cast their eyes on the raging sea,
And none will attempt the goblet to gain.
And a third time the question is asked by the king:
“Is there none that will dare in the gulf now to spring?”

Yet all as before in silence stand,
When a page, with a modest pride,
Steps out of the timorous squirely band,
And his girdle and mantle soon throws aside,
And all the knights, and the ladies too,
The noble stripling with wonderment view.

And when he draws nigh to the rocky brow,
And looks in the gulf so black,
The waters that she had swallowed but now,
The howling Charybdis is giving back;
And, with the distant thunder’s dull sound.
From her gloomy womb they all-foaming rebound.

And it boils and it roars, and it hisses and seethes,
As when water and fire first blend;
To the sky spurts the foam in steam-laden wreaths,
And wave presses hard upon wave without end.
And the ocean will never exhausted be,
As if striving to bring forth another sea.

But at length the wild tumult seems pacified,
And blackly amid the white swell
A gaping chasm its jaws opens wide,
As if leading down to the depths of hell:
And the howling billows are seen by each eye
Down the whirling funnel all madly to fly.

Then quickly, before the breakers rebound,
The stripling commends him to Heaven,
And–a scream of horror is heard around,–
And now by the whirlpool away he is driven,
And secretly over the swimmer brave
Close the jaws, and he vanishes 'neath the dark wave.

O’er the watery gulf dread silence now lies,
But the deep sends up a dull yell,
And from mouth to mouth thus trembling it flies:
“Courageous stripling, oh, fare thee well!”
And duller and duller the howls recommence,
While they pause in anxious and fearful suspense.

“If even thy crown in the gulf thou shouldst fling,
And shouldst say, ‘He who brings it to me
Shall wear it henceforward, and be the king,’
Thou couldst tempt me not e’en with that precious foe;
What under the howling deep is concealed
To no happy living soul is revealed!”

Full many a ship, by the whirlpool held fast,
Shoots straightway beneath the mad wave,
And, dashed to pieces, the hull and the mast
Emerge from the all-devouring grave,–
And the roaring approaches still nearer and nearer,
Like the howl of the tempest, still clearer and clearer.

And it boils and it roars, and it hisses and seethes,
As when water and fire first blend;
To the sky spurts the foam in steam-laden wreaths,
And wave passes hard upon wave without end.
And, with the distant thunder’s dull sound,
From the ocean-womb they all-bellowing bound.

And lo! from the darkly flowing tide
Comes a vision white as a swan,
And an arm and a glistening neck are descried,
With might and with active zeal steering on;
And 'tis he, and behold! his left hand on high
Waves the goblet, while beaming with joy is his eye.

Then breathes he deeply, then breathes he long,
And blesses the light of the day;
While gladly exclaim to each other the throng:
“He lives! he is here! he is not the sea’s prey!
From the tomb, from the eddying waters’ control,
The brave one has rescued his living soul!”

And he comes, and they joyously round him stand;
At the feet of the monarch he falls,–
The goblet he, kneeling, puts in his hand,
And the king to his beauteous daughter calls,
Who fills it with sparkling wine to the brim;
The youth turns to the monarch, and speaks thus to him:

“Long life to the king! Let all those be glad
Who breathe in the light of the sky!
For below all is fearful, of moment sad;
Let not man to tempt the immortals e’er try,
Let him never desire the thing to see
That with terror and night they veil graciously.”

“I was torn below with the speed of light,
When out of a cavern of rock
Rushed towards me a spring with furious might;
I was seized by the twofold torrent’s wild shock,
And like a top, with a whirl and a bound,
Despite all resistance, was whirled around.”

“Then God pointed out,–for to Him I cried
In that terrible moment of need,–
A craggy reef in the gulf’s dark side;
I seized it in haste, and from death was then freed.
And there, on sharp corals, was hanging the cup,–
The fathomless pit had else swallowed it up.”

“For under me lay it, still mountain-deep,
In a darkness of purple-tinged dye,
And though to the ear all might seem then asleep
With shuddering awe ‘twas seen by the eye
How the salamanders’ and dragons’ dread forms
Filled those terrible jaws of hell with their swarms.”

“There crowded, in union fearful and black,
In a horrible mass entwined,
The rock-fish, the ray with the thorny back,
And the hammer-fish’s misshapen kind,
And the shark, the hyena dread of the sea,
With his angry teeth, grinned fiercely on me.”

“There hung I, by fulness of terror possessed,
Where all human aid was unknown,
Amongst phantoms, the only sensitive breast,
In that fearful solitude all alone,
Where the voice of mankind could not reach to mine ear,
'Mid the monsters foul of that wilderness drear.”

“Thus shuddering methought–when a something crawled near,
And a hundred limbs it out-flung,
And at me it snapped;–in my mortal fear,
I left hold of the coral to which I had clung;
Then the whirlpool seized on me with maddened roar,
Yet 'twas well, for it brought me to light once more.”

The story in wonderment hears the king,
And he says, “The cup is thine own,
And I purpose also to give thee this ring,
Adorned with a costly, a priceless stone,
If thou’lt try once again, and bring word to me
What thou saw’st in the nethermost depths of the sea.”

His daughter hears this with emotions soft,
And with flattering accent prays she:
“That fearful sport, father, attempt not too oft!
What none other would dare, he hath ventured for thee;
If thy heart’s wild longings thou canst not tame,
Let the knights, if they can, put the squire to shame.”

The king then seizes the goblet in haste,
In the gulf he hurls it with might:
“When the goblet once more in my hands thou hast placed,
Thou shalt rank at my court as the noblest knight,
And her as a bride thou shalt clasp e’en to-day,
Who for thee with tender compassion doth pray.”

Then a force, as from Heaven, descends on him there,
And lightning gleams in his eye,
And blushes he sees on her features so fair,
And he sees her turn pale, and swooning lie;
Then eager the precious guerdon to win,
For life or for death, lo! he plunges him in!

The breakers they hear, and the breakers return,
Proclaimed by a thundering sound;
They bend o’er the gulf with glances that yearn,
And the waters are pouring in fast around;
Though upwards and downwards they rush and they rave,
The youth is brought back by no kindly wave.

[b]

The Glove[/b]

        BEFORE his lion-court
        Impatient for the sport,
        King Francis sat one day;
        The peers of his realm sat around,
        And in balcony high from the ground
        Sat the ladies in beauteous array.
        And when with his finger he beckoned,
        The gate opened wide in a second
        And in, with deliberate tread,
        Enters a lion dread,
        And looks around
        Yet utters no sound;
        Then long he yawns
        And shakes his mane,
        And, stretching each limb,
        Down lies he again.
         
        Again signs the king,--
        The next gate open flies,
        And, lo! with a wild spring,
        A tiger out hies.
        When the lion he sees, loudly roars he about,
        And a terrible circle his tail traces out.
        Protruding his tongue, past the lion he walks,
        And, snarling with rage, round him warily stalks
        Then, growling anew,
        On one side lies down too.
         
        Again signs the king,--
        And two gates open fly,
        And, lo! with one spring,
        Two leopards out hie.
        On the tiger they rush, for the fight nothing loth,
        But he with his paws seizes hold of them both
        And the lion, with roaring, gets up, - then all's still,
        The fierce beasts stalk around, madly thirsting to kill.
         
        From the balcony raised high above
        A fair hand lets fall down a glove
        Into the lists, where 'tis seen
        The lion and tiger between.
         
        To the knight, Sir Delorges, in tone of jest,
        Then speaks young Cunigund fair;
        "Sir Knight, if the love that thou feel'st in thy breast
        Is as warm as thou'rt wont at each moment to swear,
        Pick up, I pray thee, the glove that lies there!"
         
        And the knight, in a moment, with dauntless tread,
        Jumps into the lists, nor seeks to linger,
        And, from out the midst of those monsters dread,
        Picks up the glove with a daring finger.
         
        And the knights and ladies of high degree
        With wonder and horror the action see,
        While he quietly brings in his hand the glove,
        The praise of his courage each mouth employs;
        Meanwhile, with a tender look of love,
        The promise to him of coming joys,
        Fair Cunigund welcomes him back to his place.
        But he threw the glove point-blank in her face:
        "Lady, no thanks from thee I'll receive!"
        And that selfsame hour he took his leave.

8-[ :laughing:

The Erl-king

WHO rides there so late through the night dark and drear?
The father it is, with his infant so dear;
He holdeth the boy tightly clasp’d in his arm,
He holdeth him safely, he keepeth him warm.

“My son, wherefore seek’st thou thy face thus to hide?”
“Look, father, the Erl-King is close by our side!
Dost see not the Erl-King, with crown and with train?”
“My son, 'tis the mist rising over the plain.”

“Oh, come, thou dear infant! oh come thou with me!
Full many a game I will play there with thee;
On my strand, lovely flowers their blossoms unfold,
My mother shall grace thee with garments of gold.”

“My father, my father, and dost thou not hear
The words that the Erl-King now breathes in mine ear?”
“Be calm, dearest child, 'tis thy fancy deceives;
'Tis the sad wind that sighs through the withering leaves.”

“Wilt go, then, dear infant, wilt go with me there?
My daughters shall tend thee with sisterly care
My daughters by night their glad festival keep,
They’ll dance thee, and rock thee, and sing thee to sleep.”

“My father, my father, and dost thou not see,
How the Erl-King his daughters has brought here for me?”
“My darling, my darling, I see it aright,
'Tis the aged grey willows deceiving thy sight.”

“I love thee, I’m charm’d by thy beauty, dear boy!
And if thou’rt unwilling, then force I’ll employ.”
“My father, my father, he seizes me fast,
Full sorely the Erl-King has hurt me at last.”

The father now gallops, with terror half wild,
He grasps in his arms the poor shuddering child;
He reaches his courtyard with toil and with dread,–
The child in his arms finds he motionless, dead.
Johann Wolfgang von Goethe.-- 1782.

The Fisherman

The water rushed, the water swelled,
A fisherman sat by,
And gazed upon his dancing float
With tranquil-dreaming eye.
And as he sits, and as he looks,
The gurgling waves arise;
A maid, all bright with water drops,
Stands straight before his eyes.

She sang to him, she spake to him:
"My fish why dost thou snare,
With human wit and human guile,
Into the killing air?
Couldst see how happy fishes live
Under the stream so clear,
Thyself would plunge into the stream,
And live for ever there.

"Bathe not the lovely sun and moon
Within the cool, deep sea,
And with wave-breathing faces rise
In twofold witchery?
Lure not the misty heaven-deeps,
So beautiful and blue?
Lures not thine image, mirrored in
The Fresh eternal dew?

The water rushed, the water swelled,
It clasped his feet, I wis’
A thrill went through his yearning heart,
As when two lovers kiss!
She spake to him, she sang to him:
Resistless was her strain;
Half drew him in, half lured him in;
He ne’er was seen again.
Goethe.

(Perhaps a warning not go fishing and drinking if you’re lonely and depressed) :-k

This one is fairly tame, by rebel Rimbaud standards. There’s a reason he’s attained the cult status that he has…incomparable.

Première Soirée
(First Evening)

Her clothes were almost off;
Outside, a curious tree
Beat a branch at the window
To see what it could see.

Perched on my enormous easy chair,
Half nude, she clasped her hands.
Her feet trembled on the floor,
As soft as they could be.

I watched as a ray of pale light,
Trapped in the tree outside,
Danced from her mouth
To her breast, like a fly on a flower.

I kissed her delicate ankles.
She had a soft, brusque laugh
That broke into shining crystals -
A pretty little laugh.

Her feet ducked under her chemise;
“Will you please stop it!..”
But I laughed at her cries -
I knew she really liked it.

Her eyes trembled beneath my lips,
They closed at my touch.
Her head went back; she cried:
"Oh really! That’s too much!

“My dear, I’m warning you…”
I stopped her protest with a kiss
And she laughed, low -
A laugh that wanted more than this…

Her clothes were almost off;
Outside a curious tree
Beat a branch at the window
to see what it could see.

And on a decidedly less carefree note:

Wild Horses

You’re dangerous 'cause you’re honest
You’re dangerous, you don’t know what you want
Well you left my heart empty as a vacant lot
For any spirit to haunt

You’re an accident waiting to happen
You’re a piece of glass left in a beach
Well, you tell me things I know you’re not supposed to
Then you leave me just out of reach

Who’s gonna ride your wild horses?
Who’s gonna drown in your blue sea?
Who’s gonna ride your wild horses?
Who’s gonna fall at the foot of thee?

Well you stole it 'cause I needed the cash
And you killed it 'cause I wanted revenge
Well you lied to me 'cause I asked you to
Baby, can we still be friends?

Who’s gonna ride your wild horses?
Who’s gonna drown in your blue sea?
Who’s gonna ride your wild horses?
Who’s gonna fall at the foot of thee?

Oh, the deeper I spin
Oh, the hunter will sin for your ivory skin
Took a drive in the dirty rain
To a place where the wind calls your name
Under the trees the river laughing at you and me
Hallelujah, heavens white rose

The doors you open
I just can’t close

Don’t turn around, don’t turn around again
Don’t turn around, your gypsy heart
Don’t turn around, don’t turn around again
Don’t turn around, and don’t look back

Come on now love, don’t you look back!

Who’s gonna ride your wild horses?
Who’s gonna drown in your blue sea?
Who’s gonna taste your salt water kisses?
Who’s gonna take the place of me?

-Bono

The sigh of the forest

One chilly autumn evening when the day was nearly spent,
A little boy beneath a tree was playing.
He saw the candles burning in God the Father’s tent
And heard the rustling linden-branches swaying.
All hushed he sat, his senses in dreams had taken flight,
While blacker grew the shadows that chill September night.
Then deeply in the dark sighed the forest.

The boy then stopped to listen, and awestruck was his mood,
He rose and ran to check the rising terror,
For ugly thoughts found entrance and stirred within his blood
Till round the heath he wandered all in error.

He thought of father, mother, of brothers, sisters dear:
“Oh, help me, God, I am so small. If only I were there!”
Then deeply in the dark sighed the forest.

The moon stepped softly out from the cloud-rack overhead,
O’er all the earth a silver mantle flinging;
And straightway to the mountains’ foot the frightened shadows fled,
Back to their northern home the trolls were winging.
The mountain peaks were shining, but still the woods were dim,
And in the birches murmured a sad and eerie hymn.
Then deeply in the dark sighed the forest.

The little boy sped onward across the moorland wild,
With many an ancient tale his mind was haunted;
The stars pursued their courses, the heaven smiled and smiled,
But still he could not find the path he wanted.
“Ye gentle stars that travel so high upon your way,
Ye little withered flowers, oh, tell me, tell me, pray,
Who is it sighs so deep in the forest?”

But all the stars were silent, the little flowers too;
Oh, many bitter tears the boy was shedding,
Until he reached the elves’ home. With winged steps he flew,

And cried, within their charmed circle treading:
" Oh, ye who dance so nimbly along the heathery way,
Wee brothers and wee sisters, oh, tell me, tell me, pray,
Who is it sighs so deep in the forest ?"

She smiled, the little elf-queen,—her lips were passing fair,—
And said, his ruddy cheek the while caressing:
"Don’t cry, my pretty fellow, although you know not where
You 've come, and fear upon your heart is pressing.
Be seated on this hillock beside the heathery way,
And dry your eyes and listen to what I now shall say
Of that which sighs so deep in the forest.

"When Night begins his journey o’er land and shining sea,
And when the signs of day at length are-vanished,
When waves have gone to rest them beneath some island’s lee,

And pretty stars return that erst were banished,
Then, then the vault of heaven grows clear and mirrorbright,
A troop of blessed angels come down in silent flight
And shower on the earth their tears of silver.

“When poor Earth sees her image within the mirroring skies
And finds herself so dismally depicted,
And counts the sins: the murders, the vanities and lies
Wherewith these thousand years she’s been afflicted,—
A deadly throe of horror strikes through her marrow there,
The mountains make confession, the valleys fall to prayer,
And deeply in the dark sighs the forest.”

"Oh, thanks to thee,thou elf-queen! I 'll not forget thy lore,
Nor fear as I go home across the heather.
Look! there within the moonlight I see my path once more;
Good-by, we’ll not forget this time together.

I 've neither goods nor treasure,I 'm as poor as poor can be,
But here I promise Heaven that not because of me
Shall come at dusk that sigh from the forest."
–Bernhard Elis Malmstrom.


A variation on the theme by Erik Gustaf Geijer:

The Charcoal Burner’s Son

My father, he’s at the kiln away,
My mother sits at her spinning;
But wait, I’ll to be a man some day,
And a sweetheard then I’ll be winning.
So dark it is far off in the forest.

At dawn I am up and off with the sun–
Hurrah! when the sun’s a-shimmer.
To father then with his food I run;
Soon follows the twilight’s glimmer.
So dark it is far off in the forest.

I roam the green foot-path fearlessly
As I haste through the woods alone there.
But darkly the pines look down on me,
And lone mountain shadows are thrown there.
So dark it is far off in the forest.

Tralala! As glad as a bird in flight
I’ll sing as the path I follow.
But harsh the reply from the mountain height,
And the woods are heavy and hollow.
So dark it is far off in the forest.

If I were but with my old father, though!
Hark! The bear is growling with hunger.
And the bear is the mightiest fellow, I know,
And spares neither older nor younger.
So dark it is far off in the forest.

The shadows come down so thick, so thick,
As if curtains were drawn together.
There is rustle and rattle of stone and stick,
And trolls are walking the heather.
So dark it is far off in the forest.

There is one! There are two! In their net they’ll take
Me, alas! - how the firs are waving!
They beckon. Oh God, do not Thou forsake!
By flight my life I’d be saving.
So dark it is far off in the forest.

The hours went by, the daylight was gone,
The way it grew ever more wild now,
There’s wisp’ring and rustling o’er stick and o’er stone
As over the heath the child runs now.
So dark it is far off in the forest.

With rosy red cheek and heart beating fast
To his father’s kiln swiftly fleeing
He fell, “My dear son, oh, welcome at last!”
“'T is trolls, aye and worse I’ve been seeing.
So dark it is far off in the forest.”

“My son, it is long here I’ve had to dwell,
But God has preserved me from evil.
Whoever knows his Our Father well
Fears neither for troll nor for devil,
Though dark it is far off in the forest.”

[An interesting interplay of pagan and christian themes]

[size=150]Pandora and Anita, [/size]

Ah, I am so happy that you decided to grace me with your presence in my new establishment. I hope that you enjoyed your stay here and that you were well taken care of.

Pandora,

I especially loved the poem The diver…anything that has to do with the ocean I just dive right into. The whole time I was reading it, I had the chills, continued to have the chills. It was like I was experiencing it myself. At the same time, all of these wonder-filled images were coming to me. Thank you.

Anita,

I especially enjoyed Wild Horses - as I interpret it, I’ve experienced it first hand. It’s both very poignant and sort of comical at the same time, if that is possible. Ah life.

Poetry is amazing!

Be sure to come again, any time girls. We are open 24-hours a day. :laughing:

[size=150]I know why the caged bird sings[/size] :cry:
by Maya Angelou

A free bird leaps on the back
Of the wind and floats downstream
Till the current ends and dips his wing
In the orange suns rays
And dares to claim the sky.

But a BIRD that stalks down his narrow cage
Can seldom see through his bars of rage
His wings are clipped and his feet are tied
So he opens his throat to sing.

The caged bird sings with a fearful trill
Of things unknown but longed for still
And his tune is heard on the distant hill for
The caged bird sings of freedom.

The free bird thinks of another breeze
And the trade winds soft through
The sighing trees
And the fat worms waiting on a dawn-bright
Lawn and he names the sky his own.

But a caged BIRD stands on the grave of dreams
His shadow shouts on a nightmare scream
His wings are clipped and his feet are tied
So he opens his throat to sing.

The caged bird sings with
A fearful trill of things unknown
But longed for still and his
Tune is heard on the distant hill
For the caged bird sings of freedom.

[size=150]Ode on a Grecian Urn [/size]
by John Keats

Thou still unravished bride of quietness!
Thou foster-child of silence and slow time,
Sylvan historian, who canst thus express
A flow’ry tale more sweetly than our rhyme:
What leaf-fringed legend haunts about thy shape
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?

Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endeared,
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal -yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair!

Ah, happy, happy boughs! that cannot shed
Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,
For ever piping songs for ever new;
More happy love! more happy, happy love!
For ever warm and still to be enjoyed,
For ever panting and for ever young;
All breathing human passion far above,
That leaves a heart high-sorrowful and cloyed,
A burning forehead, and a parching tongue.

Who are these coming to the sacrifice?
To what green altar, O mysterious priest,
Lead’st thou that heifer lowing at the skies,
And all her silken flanks with garlands drest?
What little town by river or sea-shore,
Or mountain-built with peaceful citadel,
Is emptied of its folk, this pious morn?
And, little town, thy streets for evermore
Will silent be; and not a soul to tell
Why thou art desolate, can e’er return.

O Attic shape! Fair attitude! with brede
Of marble men and maidens overwrought,
With forest branches and the trodden weed;
Thou, silent form, dost tease us out of thought
As doth eternity: Cold pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou sayst,
“Beauty is truth, truth beauty, -that is all
Ye know on earth, and all ye need to know.”

[size=150]WE WEAR THE MASK[/size]
Paul Laurence Dunbar

We wear the mask that grins and lies,
It hides our cheeks and shades our eyes,
This debt we pay to human guile,
With torn and bleeding hearts we smile,
And mouth with myriad subtleties.

Why should the world be over-wise,
In counting all our tears and sighs?
Nay, let them only see us, while
…We wear the mask.

We smile, but, O great Christ, our cries
To thee from tortured souls arise
We sing, but oh the clay is vile
Beneath our feet, and long the mile;
But let the world dream otherwise,
…We wear the mask!

Very poignant poem, I think. I like it a lot. The masks we wear generally, unfortunately, hide us mostly from ourselves.

So nice to have finally made my way here :smiley:

~Power~

I can make the earth stop in
its tracks. I made the
blue cars go away.

I can make myself invisible or small.
I can become gigantic & reach the
farthest things. I can change
the course of nature.
I can place myself anywhere in
space or time.
I can summon the dead.
I can perceive events on other worlds,
in my deepest inner mind,
& in the minds of others.

I can

I am


People need Connectors
Writers, heroes, stars,
leaders
To give life form.
A child’s sand boat facing
the sun.
Plastic soldiers in the miniature
dirt war.  Forts.
Garage Rocket Ships

Ceremonies, theatre, dances
To reassert Tribal needs & memories
a call to worship, uniting
above all, a reversion,
a longing for family & the
safety magic of childhood.

The grand highway
is crowded
w/
lovers
&
searchers
&
leavers
so
eager
to
please
&
forget

Wilderness


Now is blessed
The rest
remembered

A man rakes leaves into
a heap in his yard, a pile,
& leans on his rake &
burns them utterly.
The fragrance fills the forest
children pause & heed the
smell, which will become
nostalgia in several years


Sirens
Water
Rain & Thunder
Jet from the base
Hot searing insect cry
The frogs & crickets
Doors open & close
The smash of glass
The Soft Parade
An accident
Rustle of silk, nylon
Watering the dry grass
Fire
Bells
Rattlesnake, whistles, castanets
Lawn mower
Good Humor man
Skates & wagons
Bikes

Where’d you learn about
Satan- out of a book
Love?- out of a box


night of sin (The Fall)
-1st sex, a feeling of having
done this same act in time before
O No, not again

Between childhood, boyhood,
adolescence
& manhood (maturity) there
should be sharp lines drawn w/
Tests, deaths, feats, rites
stories, songs, & judgements


Men who go out on ships
To escape sin & the mire of cities
watch the placenta of evening stars
from the deck, on their backs
& cross the equator
& perform rituals to exhume the dead
dangerous initiations
To mark passage to new levels

To feel on the verge of an exorcism
a rite of passage
To wait, or seek manhood
enlightenment in a gun

To kill childhood, innocence
in an instant.

[i]By Jim Morrison[/i]

~Jail~

The walls screamed poetry disease & sex
an inner whine like a mad machine -
dropped in a
cave of roaches
or rodents

The Computer
faces of the men

The wall collage
reading matter

The Traders (dealers)


I am a guide to the labyrinth
Come & see me
in the green hotel
Rm. 32
I will be there after 9:30 p.m.

I will show you the girl of the ghetto
I will show you the burning well
I will show you strange people
haunted, beast-like, on the
verge of evolution

-Fear The Lords who are
secret among us

Leaving the phone-booth, I was
Struck by a whiff of
the weird.
Insane old country woman
come to nag the haunts
of town
Hairy legs w/open sores.

From what swamp or under-rock
did you crawl to remind
us what we choose
to leave


[i]By Jim Morrison[/i]

~underwaterfall~

down
down
down
down
down
down
deep
below

children of the caves will let their
secret fires glow


An explosion of birds
Dawn
Sun strokes the walls
An old man leaves the Casino
A young man reading pauses
on the path to the garden

Bitter winter
Fiction dogs are starving
The radio is moaning softly
calling to the dogs
There are still a few
animals left in the yard

Sit up all night,
talking smoking
Count the dead & wait
’til morning
Will warm names & faces
come again
Does the silver forest end?


December Isles
Hot morning chambers
of the New Day
Idiot first to awaken (be born)
w/shadows of new play
learned men
in Sunday best
we’ve had our chance to rest
to mourn the passing of day
to lament the death of our
glorious member
(she whispers secret messages
of love in the garden
to her friends, the bees)
The garden would be here
forevermore

Mexican parachute
Blue green pink
Invented of Silk
& stretched on grass
Draped in the trees
of a Mexican Park
T-shirt boys in their
Slumbering art


-I fear that he’s been
maim’d beyond all
recognition

He hears them come &
murmur over his corpse.

Street Pizza.

funny,
I keep expecting a
knock on the door
well, that’s what you
get for living around
people

a Knock? would shatter
my dreams’ illusions
deportment & composure
The struggle of a poor poet
to stay out of the grips
of novels & gambling
& journalism


A quality of ignorance,
self-deception may be
necessary to the poet’s
survival.

Actors must make us think
they’re real
Our friends must not
make us think we’re acting

They are, though, in slow
Time

My wild words
slip into fusion
& risk losing
the solid ground

So stranger, get
wilder still

Probe the Highlands


Bourbon is a wicked brew, recalling
courage milk, refined poison
of cockroach & tree-bark, leaves
& fly-wings scraped from the
land, a thick film; menstrual
fluids no doubt add their splendour.
It is the eagle’s drink.

Why do I drink?
So that I can write poetry.

Sometimes when it’s all spun out
and all that is ugly recedes
into a deep sleep
There is an awakening
and all that remains is true.
As the body is ravaged
the spirit grows stronger.

Forgive me Father for I know
what I do.
I want to hear the last Poem
of the last Poet.


[i]By Jim Morrison[/i]

The Last Man,

Ah, I am just so happy that you finally made it and i am sorry that I was not here to greet you. Next time, the drinks will be on me and we can sit and have some conversation together. :laughing:

The poetry you recited warmed my establishment. Wonderful ambiance - everyone loved them. And next time, I will be sure you get a table by the fireplace.

You are welcome any time, Sir. :banana-dance:

Story Of Isaac
by Leonard Cohen

The door it opened slowly,
my father he came in,
I was nine years old.
And he stood so tall above me,
his blue eyes they were shining
and his voice was very cold.
He said, “I’ve had a vision
and you know I’m strong and holy,
I must do what I’ve been told.”
So he started up the mountain,
I was running, he was walking,
and his axe was made of gold.
Well, the trees they got much smaller,
the lake a lady’s mirror,
we stopped to drink some wine.
Then he threw the bottle over.
Broke a minute later
and he put his hand on mine.
Thought I saw an eagle
but it might have been a vulture,
I never could decide.
Then my father built an altar,
he looked once behind his shoulder,
he knew I would not hide.
You who build these altars now
to sacrifice these children,
you must not do it anymore.
A scheme is not a vision
and you never have been tempted
by a demon or a god.
You who stand above them now,
your hatchets blunt and bloody,
you were not there before,
when I lay upon a mountain
and my father’s hand was trembling
with the beauty of the word.
And if you call me brother now,
forgive me if I inquire,
“Just according to whose plan?”
When it all comes down to dust
I will kill you if I must,
I will help you if I can.
When it all comes down to dust
I will help you if I must,
I will kill you if I can.
And mercy on our uniform,
man of peace or man of war,
the peacock spreads his fan.

Wow, that is very powerful.

Here are some poems I have translated. No English translations of them exist apart from what I have done.

First, a bit of Latin from Adrianus’s Galatea.

[i]
Illa vagos quondam sensus hac voce monebat,
nescitis miseri quot mala gignat amor.
Tempore forma perit, paucisque ea carpitur annis.
Dum licet, Idalii pellite tela Dei.
His ego firmatus monitis me posse putavi innocua
Cypriam mente videre Deam.

My laments for thee, they do recall my roving lusts,
though the fruits of misery I am unwilling to let bear upon the stalk of love.
To beauty time lays waste, that is assured;
though I shan’t even permit her fruit to bear;
as long as it is permitted me to drive out amor’s dart,
upon Aphrodite’s very temple.
For it strengthens me in this conviction,
to suppose that the Cyprian goddess, too, was innocent.[/i]

[Cyprian Goddess, ie. Eris.]

Some old Italian from Vincenzo da Filicaia’s Avvertimento ali Anima.

[i]Ahi qual fallo e mirar cio, che mirato
desta il desire, e col desir tormenta!
Le Stelle indarno, indarno accusa il fato
chi del proprio suo mal fabbro diventa:
Stassi al varco del ciglio in dolte aguato
amor dolce nemico, e ment ei tenta
nel cuor l ingresso, con felice inganno
ospite v entra, e vi riman tiranuo.

Oh! What an error to look still upon your image,
even after you have taken leave and given me your farewell,
for when desire is named, desire torments!
Desire, hence, what a fruitless star! Fruitlessly to accuse fate,
and her wrought smithy in the firmament,
and the circuit it hath thereby bore her to tread forever;
together she, with the beloved, in sweet ambush
confound love’s vision, and makes of it a sweet enemy,
which, happy to be deceived, the heart entreats and welcomes,
again and again subject to your tyrannizing.[/i]

Here is an aphorism of mine in which I translate an old French epigram I always found consolation in.

[size=85]539. How beautiful is the sea! Even when I can see nothing within it. So should we learn to view a beautiful woman-- even when we cannot have her. And, failing this, we can at least console ourselves in that beautiful verse:

Ne deves pas servir en vain,
car ne serves pas vainement.

I do not serve thee, my woman, in vain,
as long as I serve not vanity. [Miserere by Barthélemy reclus de Molliens][/size]

That is actually very beautiful. I have felt this way about a man or two. It isn’t so much about possessing, at all, but rather about that feeling of being possessed by…whether it is by the Sea or a certain man.

ah, but love, there still is nothing like it in all the world…whether it be romantic love or real love :laughing: It really is the energy that burns through the universe, isn’t it? These are really romantic poems. What does Avvertimento ali Anima mean?

Avvertimento ali Anima, the title of the poem I quoted (only a stanza from it, I might work on typing out the rest of it in English some time) means “A warning/caution to the soul.”

Yes, the idea of love is important to me. I have never experienced it, in the sense of reciprocation, and most likely never will. I am indifferent to happiness and sorrow, though. I love a woman for who she is, what she is- not for how she makes me feel personally or what she does for me, and rather or not I “have” her is irrelevant.