the taming of the dark feminine

I can’t make statements as to whether the dark feminine is a shared archetype of the psyche of all women. For all I know it is like a talent, a specific quality, a gift of sorts, or depending on where you stand, a curse. What is certain however, is that she is mean. Wherever this dark feminine holds sway, the woman under her influence will act at the behest of death, ruin and humiliation. It is this dark feminine that brings a girl to seek out criminals, pornography, and in general that finds the path of the least resistance to be the agency of down-bringing. It is no consequence who or what is brought down; be it the woman herself, or a man she interacts with, or just as easily a whole society.

Zarathustra said to bring he whip. For a specific type of woman though, not for woman in general, not at all. There is also that bright feminine form which allows the dark to hide in the suggestion of beauty. It is for her benefit that I seek to flesh out a species beyond this type of humanity, by discerning and selecting, ordering and ranking of qualities in the feminine psyche.

Evil is fun, meaning that punishment is part of the fun. A creature of excess, fed by too much and too little. A necessary demon for the thriving of our sort but a downfall for any race or type or individual that reveres her.

[tab][youtube]http://www.youtube.com/watch?v=zXtsGAkyeIo[/youtube][/tab]
Evil is born below her, when a man sinks to revere the dark feminine. He becomes less than a monkey and more - not a man, just a play-thing involved in the game without consequences. This is her realm; logic is absent in her repertoire, as from A must follow A- and B+ and B and down the slope, except n the instances when she is overtaken and down-ranked herself; where the spectacle begin the excess of sacrifice, religion as slavery.

SATAN
is the civilization of the dark feminine,
where consequences happen even if there aren’t any causes.

Because life is a sliding scale, if it comes into its grasp, you could say it is the continuation of gravity by other means.
In “Aion” Jung identifies the inevitable urges of Mankind as the true God.

If reason is allowed by the light of the Sun and the consistency of our path around her, then the other thing is allowed by the neglect of the original source, the Sun. The Sun is order, the Earth to herself is a chaos of infinite dimensions, but that is a tautology.

Sanctification of a reverse exorcism, by a new crucifixulion for whio’se gain, further askance of new universal debt. A debt which can not be repaid by mere mortal understanding, on pain of eternal suffering.

That’s what took to remove Adam"s rib.

The dark Madonna , in its romantisized transform.

A pain which is the price of a higher gain of suffering something far worse.

This seems to me a more honest and mature representation of reality and its inseparable cycle of creation and its eventual destruction. A not so pleasant reminder.
Perhaps Lucifer and Prometheus characters (as well as Lilith) were rebelling not against “THE Order”, but against “An Established Order” fancying itself as everlasting. So, in a sense, they could be seen as an antithesis to an illusion of perpetual order (as is believed in monotheistic religions), or daring to call out on a lie so to speak, for which they are denounced and demonized. You speak of not being logical or rational, but is existence itself rational?
Even the sun itself rotates around the center of the Milky Way (black hole).

Neither Lucifer nor Prometheus is feminine, of course - are there feminine equivalents? Lilith? How?
Both Prometheus and Lucifer are light-bearers.
The dark feminine is not that.

But yes, my point exactly is that the Sun represents order. Its path around the central black hole is as orderly as the Earths path around it.
Unlike the Earth, the Sun virtually “created itself”; like all stars it was born by a process that it also embodies. Not so with the Earth; the Earth is secondary, reactive.

I was trying to highlight rebellious nature of these characters, but in case of Lilith, she is also a reflection of a man’s fear of the power of liberated female sexuality. She represents a challenge to established order, an order that can also lead to stasis and stagnation. A Lilith character is completely autonomous and for that she is hated.

Yes.

I would say that none of these three mentioned characters are truly the dark feminine - nor would I consider Inanna as such. She, to me, is a spring-goddess, especially bright. But to our christen forebears all that was strong in a female was “dark”, as it threatened the rule of the eunuchs.

What I mean to address as the dark feminine is the quality of psyche that revels in seeing men take the path of self-destruction. It is a naturally emergent quality in nature, on the lower ends of the qualitative spectrum, much like all kinds of subterranean invertebrates profit from the work of creatures that do endure the light and exist straight-up, so in the human realm there is a division of light and dark, where the truly dark simply thrives on the decay of strong entities. As indeed, with such decay, a lot of value is being released to be scavenged.

"Sanctification of a reverse exorcism, by a new crucifixulion for whio’se gain, further askance of new universal debt. A debt which can not be repaid by mere mortal understanding, on pain of eternal suffering.

That’s what took to remove Adam"s rib.

The dark Madonna , in its romantisized transform.

A pain which is the price of a higher gain of suffering something far worse."

I had a fearful flash that this was a CIA Interior Neurographic Algorithm Nuance Negator Attack bot, and that if I would reverse the words, a great omen would be seen.

DEA - is “goddess” synonymous with “drug enforcement agency”, if the words are taken more literal than as the title of a federal show?
The dark goddess, she who dissolves boundaries. She who is above differences -
the evil sister of good brother death.

Removed.for. limconaistemcy between form and content

Not… no. NO!
WHERE IS IT!

that dark demoness has taken it from us!

Guilt! O scornful guilt and dread in the night
oh evil, that comes to men not wicked, but in some way crooked

for who is a straight arrow in here? The rats with their lust to escape.

For the rest we are oaks we are.

Salome in a certain instant. where ahe had forgone the use of her reason, because she had incestuous designs, by trying
to overcome that peimal Oedipus dependence on who’s will to power ahe depends